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“Cowboy Cruising” was a multi-media and multi-projector piece which exploited the way men look at each other in classic Western films—where the gaze takes on clear homoerotic and homosocial connotations. Joan Hawkins, author of "Cutting Edge: Art-Horror and the Horrific Avante-Garde" |
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"Cowboy Cruising" 2005-06 |
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| "Out of the Myth" Video Installation | |||||
| The “Out of the Myth” series is comprised of four pieces that explore censorship in film and space. The pieces are united as an examination of cinematic space, and a desire to make Queer space in cinema through recontextualization, extension and other artistic strategies. | |||||
| Cowboy Cruising 2005-06 3 Channel Video Installation |
Rope Reconstructed 2007 3 Channel Video Installation & 1 inch Scale Diorma |
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| Representations of sexual preference or orientation are complex processes in the cinema. From the classic scene in the Maltese...more | This
inability to speak is not evident in Lowther’s next project, the
conceptually and architecturally adventurous Rope Reconstructed. The...more |
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| A Queer Shadow 2007 Single Channel Interactive Video Installation |
Rebel Love: A Woman Scorned 2006-07 2 Channel Video Installation |
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| Questions shift from interior, domestic space to exterior, sexualized space, inform A Queer Shadow, Lowther’s single projection...more |
Turn
finally to Rebel Love: A Woman Scorned, in which Lowther deconstructs
Nicholas Ray’s classic film Rebel Without a Cause. Widely...more |
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| Artist's Statement | |||||
Consideration of several aspects of space — cinematic, cultural and sexual — are directions that I have taken with my work in various digital art mediums. In some instances the intersection of these directions reveals faults and cracks, fissures that need to be exposed and re-evaluated. The slippage that occurs along these faults suggests new ways of looking at space and the ways in which we experience and negotiate space. |
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| Other Works | |||||
| "Somnambulist" 2005 | "Living Room" 2005 | ||||
| A single channel video based on personal dream metaphors and symbolism. | A single channel interactive Flash installation that explores the relationship between entertainment and surveillance. |
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| digital@uab.edu | |||||
| Biography | |||||
Christopher
Lowther is Assistant Professor of Time-Based Media at the University of
Alabama-Birmingham. He teaches Video, animation, interactive design,
and 3D modeling/animation. Lowther is the recipient of the prestigious
College Art Association Professional Development Fellowship (funded by
the National Endowment for the Arts) in recognition of his innovative
use of space and video projection to reference stereotypes of
masculinity in Hollywood film. Lowther's videos and installations have
exhibited both nationally and internationally. Upcoming Projects |
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